4、Horace and Pete

　　《百年酒館》

　　這是一個(gè)小人物的故事，講述了一個(gè)歷史悠久的酒館的百年江湖。知乎上一篇關(guān)于該劇的推介里說(shuō)，它“沒(méi)有當(dāng)下流行的一切東西;不會(huì)令你捧腹大笑忘記憂(yōu)愁;不好好搞笑，還不好好煽情;沒(méi)有熱鬧的針砭時(shí)弊、沒(méi)有耍蠢、沒(méi)有奇趣搞怪，甚至沒(méi)有快速流暢的對(duì)白和鏡頭。相反，鏡頭極其靜態(tài)，有種復(fù)古的正劇范兒?！蹦敲催@部劇的魅力到底在哪?是什么讓網(wǎng)友們高呼“炒雞好看”?

　　Making like Beyoncé, Louis C.K. floored us with a veritable surprise album drop, a self-financed, theater-style tragicomedy about spiritually broken barmen (C.K. and Steve Buscemi) and their family (including Alan Alda and Jessica Lange) contending with their histories, legacies, and collapsed meaning. A winsomely rough yet thoroughly artful work committed to capturing humanity at its messiest, Horace and Pete was a beautiful stretch — for C.K. and the audience — that produced abundant brilliance. May Laurie Metcalf's tour de force guest turn win all the Emmys。